Comments on: Monica on http://www.greatwhatsit.com/archives/6423 The daily organ of the Northeast Corridor Social Club Sat, 11 Feb 2012 04:32:57 +0000 hourly 1 http://wordpress.org/?v=3.3.1 By: Dave http://www.greatwhatsit.com/archives/6423#comment-61527 Dave Sat, 04 Jul 2009 18:51:33 +0000 http://www.greatwhatsit.com/?p=6423#comment-61527 Great stuff -- thanks for posting it. Great stuff — thanks for posting it.

]]> By: lane http://www.greatwhatsit.com/archives/6423#comment-61523 lane Sat, 04 Jul 2009 14:05:35 +0000 http://www.greatwhatsit.com/?p=6423#comment-61523 yeah it's cool huh? props to waterman for sending it to me. those interviews are amazing. could a little kid like michael even be formed in today's world? his little voice in that one clip is so feminine. the media swirl around a performer like that would be so different now. and poor liza, god, she just sounds crazy. and just so you'll know, the DJ, Monica used to be president of Tommy Boy records and SIGNED DE LA SOUL! She's hip hop ROYALTY! yeah it’s cool huh? props to waterman for sending it to me. those interviews are amazing. could a little kid like michael even be formed in today’s world? his little voice in that one clip is so feminine. the media swirl around a performer like that would be so different now.

and poor liza, god, she just sounds crazy.

and just so you’ll know, the DJ, Monica used to be president of Tommy Boy records and SIGNED DE LA SOUL! She’s hip hop ROYALTY!

]]> By: g.a. http://www.greatwhatsit.com/archives/6423#comment-61516 g.a. Fri, 03 Jul 2009 15:47:17 +0000 http://www.greatwhatsit.com/?p=6423#comment-61516 Thanks for posting this, Lane. There's a bit near the end of the second Soul Train interview that's absolutely devastating. Also, by the time you get to a few recognizable singles (to me, at least) they are so wholly recontextualized that it's almost as if I'd never heard them before. Thanks for posting this, Lane. There’s a bit near the end of the second Soul Train interview that’s absolutely devastating. Also, by the time you get to a few recognizable singles (to me, at least) they are so wholly recontextualized that it’s almost as if I’d never heard them before.

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