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	<title>Comments on: Sandcastles, Short Cuts, and the persistent pleasures of painting</title>
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	<link>http://www.greatwhatsit.com/archives/200</link>
	<description>The daily organ of the Northeast Corridor Social Club</description>
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		<title>By: bryan</title>
		<link>http://www.greatwhatsit.com/archives/200#comment-11933</link>
		<dc:creator>bryan</dc:creator>
		<pubDate>Tue, 21 Nov 2006 17:08:36 +0000</pubDate>
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		<description>robert altman, RIP (1925-2006)</description>
		<content:encoded><![CDATA[<p>robert altman, RIP (1925-2006)</p>
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		<title>By: Dave</title>
		<link>http://www.greatwhatsit.com/archives/200#comment-401</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Wed, 05 Apr 2006 22:41:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.greatwhatsit.com/archives/200#comment-401</guid>
		<description>I took Altman&#039;s thing about making movies being like making sandcastles to mean that movies lose cultural significance quickly: they get released, get seen, get talked about (if they&#039;re lucky), and then hang around in some video limbo for a few decades at best. The best paintings do better than that. The best movies might, too. 

But I think your interpretation might be the right one, and anyway it&#039;s provocative.</description>
		<content:encoded><![CDATA[<p>I took Altman&#8217;s thing about making movies being like making sandcastles to mean that movies lose cultural significance quickly: they get released, get seen, get talked about (if they&#8217;re lucky), and then hang around in some video limbo for a few decades at best. The best paintings do better than that. The best movies might, too. </p>
<p>But I think your interpretation might be the right one, and anyway it&#8217;s provocative.</p>
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		<title>By: Lane</title>
		<link>http://www.greatwhatsit.com/archives/200#comment-400</link>
		<dc:creator>Lane</dc:creator>
		<pubDate>Wed, 05 Apr 2006 13:27:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.greatwhatsit.com/archives/200#comment-400</guid>
		<description>Oh yeah the Julianne Moore scene.  It&#039;s so funny how it has a ring of authentic domestic life.  We all see our partners pantsless just talking about laundry or doing thier nails or stuff so that part is interesting in a &quot;Sopranos&quot; kind of way.  But the I just love what she says.  And that the conversation involves &quot;art talk&quot;.  &quot;We were talking about this painter Larry Rivers and then . . . &#039;</description>
		<content:encoded><![CDATA[<p>Oh yeah the Julianne Moore scene.  It&#8217;s so funny how it has a ring of authentic domestic life.  We all see our partners pantsless just talking about laundry or doing thier nails or stuff so that part is interesting in a &#8220;Sopranos&#8221; kind of way.  But the I just love what she says.  And that the conversation involves &#8220;art talk&#8221;.  &#8220;We were talking about this painter Larry Rivers and then . . . &#8216;</p>
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		<title>By: G-Lock</title>
		<link>http://www.greatwhatsit.com/archives/200#comment-399</link>
		<dc:creator>G-Lock</dc:creator>
		<pubDate>Wed, 05 Apr 2006 12:43:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.greatwhatsit.com/archives/200#comment-399</guid>
		<description>Lane, you had at me at &quot;Short Cuts.&quot;  One of the most engrossing movies.  The end is so haunting and always leaves me frustrated.  What a cast!  What a script!  What direction!  (From the same guy who did &quot;Popeye,&quot; no less!)  All of Altman&#039;s films in that vein - &quot;Gosford Park,&quot; &quot;Nashville,&quot; &quot;The Player&quot; - are layered and authentic.  Thanks for spotlighting this oft-overlooked gem.  Plus: Julianne Moore pantless!</description>
		<content:encoded><![CDATA[<p>Lane, you had at me at &#8220;Short Cuts.&#8221;  One of the most engrossing movies.  The end is so haunting and always leaves me frustrated.  What a cast!  What a script!  What direction!  (From the same guy who did &#8220;Popeye,&#8221; no less!)  All of Altman&#8217;s films in that vein &#8211; &#8220;Gosford Park,&#8221; &#8220;Nashville,&#8221; &#8220;The Player&#8221; &#8211; are layered and authentic.  Thanks for spotlighting this oft-overlooked gem.  Plus: Julianne Moore pantless!</p>
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