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	<title>Comments on: Objectification of desire: part one</title>
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	<link>http://www.greatwhatsit.com/archives/1733</link>
	<description>The daily organ of the Northeast Corridor Social Club</description>
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		<title>By: PB</title>
		<link>http://www.greatwhatsit.com/archives/1733#comment-50115</link>
		<dc:creator>PB</dc:creator>
		<pubDate>Sat, 08 Sep 2007 01:30:45 +0000</pubDate>
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		<description>My job security depends on people wanting stuff they don&#039;t really need and then replacing it when the 840 page Vogue magazine tells them the color is out - from a housewares perspective - only to buy again 20 years later when it become cool again. I should be cynical and jaded, but when I open my own cupboard of plates and teapots and bowls and run my fingers over the glaze and hold it up to the light, I totally get it. I am a purveyor of stuff because I adore stuff and can reassure other people that they have permission to hoard stuff. I love images like the myna bird nest or dragon gold - the idea that we need objects to layer, pad, line our world and help define us or comfort us when the more abstract interpretations won&#039;t do. I have a friend who prides herself on having only disposible items in her life - no attachments. And I think, why? If fate takes my stuff from me fine - I will deal. But until then - ooooooooo, pretty.</description>
		<content:encoded><![CDATA[<p>My job security depends on people wanting stuff they don&#8217;t really need and then replacing it when the 840 page Vogue magazine tells them the color is out &#8211; from a housewares perspective &#8211; only to buy again 20 years later when it become cool again. I should be cynical and jaded, but when I open my own cupboard of plates and teapots and bowls and run my fingers over the glaze and hold it up to the light, I totally get it. I am a purveyor of stuff because I adore stuff and can reassure other people that they have permission to hoard stuff. I love images like the myna bird nest or dragon gold &#8211; the idea that we need objects to layer, pad, line our world and help define us or comfort us when the more abstract interpretations won&#8217;t do. I have a friend who prides herself on having only disposible items in her life &#8211; no attachments. And I think, why? If fate takes my stuff from me fine &#8211; I will deal. But until then &#8211; ooooooooo, pretty.</p>
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		<title>By: AW</title>
		<link>http://www.greatwhatsit.com/archives/1733#comment-50107</link>
		<dc:creator>AW</dc:creator>
		<pubDate>Fri, 07 Sep 2007 22:12:48 +0000</pubDate>
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		<description>I look forward to the next part of your post.</description>
		<content:encoded><![CDATA[<p>I look forward to the next part of your post.</p>
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		<title>By: AW</title>
		<link>http://www.greatwhatsit.com/archives/1733#comment-50106</link>
		<dc:creator>AW</dc:creator>
		<pubDate>Fri, 07 Sep 2007 22:10:02 +0000</pubDate>
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		<description>I really enjoyed your meditation on &quot;stuff,&quot; the way it is designed--or not--and our relationship to it.  I tend towards not being much of a pack-rat, myself, but the few things I do hang onto, I attach to fiercely.  Especially if they are handmade or reflect careful design.

I had a similar experience at the Victoria and Albert museum.  Each object had a story--about how it was made or designed--that spoke to the time, culture, and personal vision of the person who made or designed it.  These stories fascinated me, and I think that&#039;s why the objects do, too.</description>
		<content:encoded><![CDATA[<p>I really enjoyed your meditation on &#8220;stuff,&#8221; the way it is designed&#8211;or not&#8211;and our relationship to it.  I tend towards not being much of a pack-rat, myself, but the few things I do hang onto, I attach to fiercely.  Especially if they are handmade or reflect careful design.</p>
<p>I had a similar experience at the Victoria and Albert museum.  Each object had a story&#8211;about how it was made or designed&#8211;that spoke to the time, culture, and personal vision of the person who made or designed it.  These stories fascinated me, and I think that&#8217;s why the objects do, too.</p>
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		<title>By: Bryan</title>
		<link>http://www.greatwhatsit.com/archives/1733#comment-50094</link>
		<dc:creator>Bryan</dc:creator>
		<pubDate>Fri, 07 Sep 2007 14:55:18 +0000</pubDate>
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		<description>this kind of collecting also requires a certain amount of leisure. i *want* to have time to rummage looking for that perfect 50s teapot -- same thing with buying furniture and clothes -- but somehow i never have the time to spend browsing and shopping.</description>
		<content:encoded><![CDATA[<p>this kind of collecting also requires a certain amount of leisure. i *want* to have time to rummage looking for that perfect 50s teapot &#8212; same thing with buying furniture and clothes &#8212; but somehow i never have the time to spend browsing and shopping.</p>
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		<title>By: Kate the Great</title>
		<link>http://www.greatwhatsit.com/archives/1733#comment-50091</link>
		<dc:creator>Kate the Great</dc:creator>
		<pubDate>Fri, 07 Sep 2007 14:38:51 +0000</pubDate>
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		<description>Or that tin that used to have chocolate in it but it grew stale, and you kept the tin because you though it was cool-looking, but you used the lid as a palate for your paint. It&#039;s never been a good size to hold anything, and it&#039;s got little chocolate crumblies encrusted to the inside... Yeah, I hope you throw that away eventually. 

Of course, it&#039;s all in your concept of what is treasure and what is junk.</description>
		<content:encoded><![CDATA[<p>Or that tin that used to have chocolate in it but it grew stale, and you kept the tin because you though it was cool-looking, but you used the lid as a palate for your paint. It&#8217;s never been a good size to hold anything, and it&#8217;s got little chocolate crumblies encrusted to the inside&#8230; Yeah, I hope you throw that away eventually. </p>
<p>Of course, it&#8217;s all in your concept of what is treasure and what is junk.</p>
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